![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXWgOIWzu5ZKR_SGTxe8RQeTVf3lUpYmJW4jQEavxkP_7qgFz-ru0I3KT6m8bEHFsiiipnV2avmSNCW3S5SkXAu10fm6IhZMaU_ty4sfEweUJG1F7ZWK7FV1GLJ4Tk_6BaoOsOOoNv3RoP/s320/1850+Daguerreotype+Camera.jpg)
Daguerreotypes were usually portraits; the rarer views are much sought-after and are more expensive. The portrait process took several minutes and required the subjects to remain stock still. Samuel Morselenses such as the Petzval's portrait lens, the first mathematically calculated lens. was astonished to learn that Daguerrotypes of streets of Paris did not show any humans, until he realized that due to the long exposure times all moving objects became invisible. The time was later reduced with the "faster"
The Daguerreotype was the Polaroid of the day, producing a single image which was not reproducible (unlike the Talbot process). Despite this drawback, millions of Daguerreotypes were produced. By 1851, the year of Daguerre's death, the Fox Talbot negative process was refined by the development of the wet collodion process, whereby a glass negative enabled a limitless number of sharp prints to be made. These developments made the Daguerreotype redundant and the process very soon disappeared.
No comments:
Post a Comment